THONDAN CAST & CREW
Production: Naadodigal Productions, R. Manikandan
Cast: Samuthirakani, Sunaina, Thambi Ramaiah , Vikranth
Music: Justin Prabhakaran
Background score: Justin Prabhakaran
Cinematography: Richard M Nathan
Singers: Daya Bijibal, Diwakar, Justin Prabhakaran, Pradeep Kumar, Prashanthini, Sean Roldan, Vaikom Vijayalakshmi
Lyrics: Vivek, Yuga Bharathi
PRO: Nikkil Murugan
Certain movies are made for everybody except they are at long last acknowledged by a specific segment individuals while the rest observes the treatment to be somewhat sermonizing. That is the manner by which Samuthirakani’s Thondan is. It has a couple of social messages for everybody while some welcome them, some belittle them. It is all in the eyes that you take a gander at it. Be that as it may, one thing is for sure, if Samuthirakani’s current works had awed you then Thondan would be a tasteful ride.
One thing with Samuthirakani is that his goals are constantly estimable. You will discover a great deal of significant social messages bound with some business angles. At the point when the message part gets somewhat exaggerated, the general feel of the film changes. Samuthirakani has attempted to strike a harmony between the two however the business part doesn’t engage you as much you would need it to be. Significantly the adoration portions. Thondan has two parallel love tracks, both look crazy.
You find 100% immaculate man just in Samuthirakani’s movies. Obviously, it is not wrong to configuration characters that way. It sets a case of how one could lead his life however a lot of guidance makes you feel that you are in a class to figure out how to carry on with an impeccable life.
The screenplay has been set in a path that there are couple of scenes for the masses, time in and time out, yet that move is not all that smooth. Thondan discusses a great deal of subjects beginning from work, society, enthusiasm, family, love to Jallikattu, governmental issues and agriculturists issue. Had the center idea been constrained to maybe a couple points, Thondan would have been a more engaged and effectively open item that would be acknowledged by larger part.
Discoursed have dependably been a spine in Samuthirakani’s movies. He is a demonstrated essayist and his words could rouse numerous. Vikranth gets the chance to assume a urgent part which he has performed easily and élan. Soori however comes only for 10 to 15 minutes; he makes a stamp with some message-arranged entertaining jokes. Ganja Karuppu’s satire starts from time to time yet does not make you snicker wholeheartedly. Specialized viewpoints could have been something more, from melodies to visuals. It has an indistinguishable areas from Appa, and basically an indistinguishable throws from Appa which gives you a sensation that this has happened before feel however the substance is distinctive.
Decision: Thondan expects to pass on moral esteems however its treatment could have been more engaged.